Zora Neale Hurston Literature

Complete stories, The
Introduction by Henry Louis Gates, Jr. and Sieglinde Lemke

Author: Hurston, Zora Neale

A collection of short stories, most of which appeared in literary magazines during the author's lifetime, along with previously unpublished works, spans the career of one of the century's foremost Black authors


New York: HarperCollins, copyright 1995, 305 p.

Notes:
Introduction by Henry Louis Gates, Jr. and Sieglinde Lemke


Author Web Sites:
1. Voices from the Gap: Zora Neale Hurston : Features a biography of the author, a selected bibliography, works about the author, and related links.


Other Contributors:
Gates, Henry Louis, 1950-; Lemke, Sieglinde

ISBNs Associated with this Title:
0060167327
0060921714 : Paperback
0606191941 : DEMCO Turtleback


Credits:
• Hennepin County Public Library
• Baker & Taylor
• Added to NoveList: 20010101
• TID: 003589

Every tongue got to confess: Negro folk-tales from the Gulf states
Zora Neale Hurston ; foreword by John Edgar Wideman ; edited and with an introduction by Carla Kaplan

Author: Hurston, Zora Neale, editor

A book of folktales about love, slavery, faith, family, race, and community, collected in the late 1920s, represents a large part of the author's literary legacy and details African American life in the rural South.


New York: HarperCollins Publishers, 2001, xxxiv, 279 p.

Notes:
Negro folktales from the Gulf states
Introduction by John Edgar Wideman
Includes bibliographical references and index.


Reviews for this Title:
Publishers Weekly Review: Although Hurston is better known for her novels, particularly Their Eyes Were Watching God, she might have been prouder of her anthropological field work. In 1927, with the support of Franz Boas, the dean of American anthropologists, Hurston traveled the Deep South collecting stories from black laborers, farmers, craftsmen and idlers. These tales featured a cast of characters made famous in Joel Chandler Harris's bowdlerized Uncle Remusversions, including John (related, no doubt, to High John the Conqueror), Brer Fox and various slaves. But for Hurston these stories were more than entertainments; they represented a utopia created to offset the sometimes unbearable pressures of disenfranchisement: "Brer Fox, Brer Deer, Brer 'Gator, Brer Dawg, Brer Rabbit, Ole Massa and his wife were walking the earth like natural men way back in the days when God himself was on the ground and men could talk with him." Hurston's notes, which somehow got lost, were recently rediscovered in someone else's papers at the Smithsonian. Divided into 15 categories ("Woman Tales," "Neatest Trick Tales," etc.), the stories as she jotted them down range from mere jokes of a few paragraphs to three-page episodes. Many are set "in slavery time," with "massa" portrayed as an often-gulled, but always potentially punitive, presence. There are a variety of "how come" and trickster stories, written in dialect. Acting the part of the good anthropologist, Hurston is scrupulously impersonal, and, as a result, the tales bear few traces of her inimitable voice, unlike Tell My Horse, her classic study of Haitian voodoo. Though this may limit the book's appeal among general readers, it is a boon for Hurston scholars and may, as Kaplan says in her introduction, establish Hurston's importance as an African-American folklorist. (Dec.)
— Staff (Reviewed December 17, 2001) (Publishers Weekly, vol 248, issue 51, p65)

Kirkus Reviews /* Starred Review */ This entertaining collection, which was left unpublished in 1929 and only recently unearthed, is a fine companion to Hurston's earlier volumes, Tell My Horse (1937) and Mules and Men (1935).
The late (1891–1960) author of the classic novels Jonah's Gourd Vine and Their Eyes Were Watching God was also a knowledgeable folklorist, as we learn again from John Edgar Wideman's tributory foreword and Editor Kaplan's informative introduction. The latter discusses Hurston's energetic research into indigenous tales and legends, supported by minimal grants, the WPA, and a wealthy white patron. The stories themselves—ranging from single-sentence utterances to fully detailed and developed anecdotes—are arranged in 17 specific categories focusing on such subjects as gender relations ("Women Tales"); racial inequity and enmity ("Massa and White Folks Tales"); creation stories, many akin to Joel Chandler Harris's Uncle Remus stories ("Talking Animal Tales"); and several varieties of folk supernaturalism ("God Tales," "Devil Tales"). Frequent use of racial epithets and dialect reminiscent of minstrel shows will probably offend many contemporary readers, but are indisputable evidence of the authenticity of Hurston's presentations: in almost every case of stories she heard directly from ordinary people, many of them illiterate. There is inevitable repetition, but not as much as one might expect. And there are many pleasures: impudent alternative versions of familiar biblical tales and good-natured mockery of religious truisms ("What in the hell does …[an] angel need with … [Jacob's] ladder when he's got wings"); sly references to racial imperatives (a black man falling off a roof notices he's about to land on a white woman—"so he turnt right roun' and fell back upon dat house"); a ribald explanation of why women don't serve in the army, and several clever one-liners about the physical (and marital) problems encountered by snails.
A rich harvest of native storytelling.
(Kirkus Reviews, October 1, 2001)



Author Web Sites:
1. Voices from the Gap: Zora Neale Hurston : Features a biography of the author, a selected bibliography, works about the author, and related links.


Other Contributors:
Kaplan, Carla: editor; Wideman, John Edgar

ISBNs Associated with this Title:
0060188936
0060934549 : Paperback
0694526452 : Cassette - Audio


Credits:
• Novelist/EBSCO Publishing
• Baker & Taylor
• Publishers Weekly, A Reed Elsevier Business Information Publication
• Copyright 2005, VNU Business Media, Inc. All Rights Reserved
• Added to NoveList: 20010101
• TID: 065363

Jonah's gourd vine: a novel
With a new foreword by Rita Dove

Author: Hurston, Zora Neale

John Buddy Pearson, a young Black man who becomes a popular pastor at Zion Hope, is unable to reconcile his good intentions and his natural instincts


New York: Harper and Row, Publishers, 1990, copyright 1934, 229 p.

Kirkus Reviews An exceptionally fine negro story -- written from the inside -- essentially human, pulsing with the rhythms of the race, filled with emotional value, colorful, dramatic, alive. John, a "bright skin", adored by his mother, hated and feared by his foster father, pursued by all the girls on the plantation to which he goes when he leaves home -- a full-blooded, highly strung, healthy animal -- is the central character. And his career, bringing joy and sorrow, pain and blessing, in his rise to fame as the greatest preacher of them all, and his fall from the pedestal, is epochal in the telling. Written by a negress, there is a note of authority -- but its ultimate value rests on its own merits as racial document and a good tale.
(Kirkus Reviews, May 1, 1934)



Other related features:

1. Book Discussion Guide - Their Eyes Were Watching God


Author Web Sites:
1. Voices from the Gap: Zora Neale Hurston : Features a biography of the author, a selected bibliography, works about the author, and related links.


Other Contributors:
Dove, Rita

ISBNs Associated with this Title:
0060916516 : Paperback
0783802552 : Hardcover - Large Print
0809590174 : Hardcover


Credits:
• Hennepin County Public Library
• Baker & Taylor
• Copyright 2005, VNU Business Media, Inc. All Rights Reserved
• Added to NoveList: 20010101
• TID: 035506

Moses, man of the mountain
Zora Neale Hurston ; with a foreword by Deborah E. McDowell

Author: Hurston, Zora Neale

Moses becomes the leader of his people in order to rescue them from bondage.


New York, N.Y.: HarperPerennial, 1991, xxiv, 310 p.

Notes:
Originally published: New York : J.B. Lippincott, 1939


Lexile:
830

Other related features:

1. Book Discussion Guide - Their Eyes Were Watching God


Author Web Sites:
1. Voices from the Gap: Zora Neale Hurston : Features a biography of the author, a selected bibliography, works about the author, and related links.


Other Contributors:
McDowell, Deborah E., 1951-

ISBNs Associated with this Title:
0060919949
0809590336 : Hardcover - Religious
0833570005 : Glued Binding
0252011228 : Paperback - University Press


Credits:
• Novelist/EBSCO Publishing
• Baker & Taylor
• World Historical Fiction: An Annotated Guide to Novels for Adults and Young Adults, published by Oryx Press
• MetaMetrics, Inc.
• Added to NoveList: 20010101
• TID: 035507

Novels and stories

Author: Hurston, Zora Neale

The first volume of a noted African-American writer's collection includes Their Eyes Were Watching God, Jonah's Gourd Vine, Moses, Man of the Mountain, and Seraph on the Suwanee.


New York: Library of America, copyright 1995, 1041 p.

Contents:
PARTIAL CONTENTS: Jonah's gourd vine. -Their eyes were watching God. -Moses, man of the mountain. -Seraph on the Suwanee. -Selected stories.

Reviews for this Title:

Booklist Review: Hurston flowered under the warming sun of the Harlem Renaissance, the black arts' explosion centered in Harlem in the 1920s and 1930s. After years of neglect, she died a forgotten figure, but her reputation blossomed anew in the late 1970s. Hurston's permanent place in the canon of U.S. literature is now assured, for her second novel, "Their Eyes Were Watching God" (1937), is considered a classic and is taught in the college classroom. The estimable Library of America series draws together between the covers of one volume all four of her novels and a goodly selection of her short stories. That she was mother to the likes of Alice Walker and Toni Morrison is tangible. It's obvious they learned from Hurston's use of black folklore as the "materiel" of her fiction and admire her richly soaring language, which is derived from black dialect. Her novels and stories--the latter a form she didn't use as effectively--relate the loves and woes of black and white people from in and around the southern communities she knew so well; one novel, "Moses, Man of the Mountain" (1939), has a biblical setting, and it's still an enrapturing interpretation of a story told many times before. Libraries without a complete set of Hurston's fiction will find this volume a necessary and easy purchase to fill that unfortunate gap. ((Reviewed January 1, 1995)) -- Brad Hooper

Library Journal Review: This two-volume set brings together for the first time all of Hurston's best works: four novels, two books of folklore, and the first complete edition of her famous autobiography, Dust Tracks on a Road.



Author Web Sites:
1. Voices from the Gap: Zora Neale Hurston : Features a biography of the author, a selected bibliography, works about the author, and related links.


Other titles associated with this book:
Stories and novels
Jonah's gourd vine
Their eyes were watching God
Moses, man of the mountain
Seraph on the Suwanee


ISBNs Associated with this Title:
0940450836


Credits:
• Hennepin County Public Library
• Baker & Taylor
• Booklist, published by the American Library Association
• Library Journal, A Reed Elsevier Business Information Publication
• Added to NoveList: 20010101
• TID: 003590

Skull talks back and other haunting tales, The
collected by Zora Neale Hurston ; adapted by Joyce Carol Thomas ; illustrated by Leonard Jenkins

Author: Hurston, Zora Neale

Inspired by stories from the rural south, a collection of terrifying tales includes a skinless witch, a talking skull, and a man more evil than the devil, as collected by the famous African-American writer Zora Neale Hurston.


[New York]: HarperCollins, c2004, 56 p.

Contents:
Big, bad Sixteen -- Bill, the talking mule -- The skull talks back -- The witch who could slip off her skin -- High Walker -- The haunted house.

Reviews for this Title:
Booklist Review: Gr. 4-7. Hurston was a landmark writer and collector of black folklore in the 1930s rural South, but her stories, written in heavy dialect, are not accessible to kids. Using a direct style that loses none of the colloquial immediacy of the original voices, Thomas has done a great job of retelling six of Hurston's supernatural tales, and Jenkins' monochromatic collages and silhouettes capture the delicious, shivery glow of skeletons and graveyards. Thomas' retelling about "the witch who could slip off her skin" is not as dramatic as Virginia Hamilton's in Wee Winnie Witch's Skinny [BKL Je 1 & 15 04], but the tales in this small, spacious collection will still be favorites with storytellers. Best of all is "Big Bad Sixteen" about a man so strong that he kills the devil. When the man dies, he can't enter either heaven or hell, so he returns to Earth as the scary jack-o-lantern. Thomas provides brief, lively notes at the end. Let's hope she'll bring more of Hurston's work to thrill young readers.
-- Hazel Rochman (BookList, 08-01-2004, p1935)

School Library Journal Review: Gr 4-6–Thomas retells six supernatural folktales selected from Hurston's Every Tongue Got to Confess (HarperCollins, 2001). The subject matter is sufficiently scary to give young readers a thrill, and Jenkins's spooky black-and-white paintings of skeletons, skulls, arrogant men, eerie cats, and nighttime swirls of fog perfectly set the stage for shivers. Thomas omits most of the dialect and supplies missing motivation. In "The Witch Who Could Slip off Her Skin," the reteller adds silly explanatory paragraphs telling why this witch would "ride" people who had done her wrong. She eliminates the character of "Marster" from "Big Sixteen," here called "Big, Bad Sixteen." "Bill, the Talking Mule," a tale in which a farmer is frightened when his animals suddenly speak to him, retains all of the surprise hilarity of the original. An adapter's note doesn't explain the changes so much as review the content. Although mostly faithful to Hurston's tales, the retellings read like fragments from some larger work that begin in the middle and end abruptly, a fact that may trouble readers who expect more shape to a story. However, this volume introduces a small part of the huge body of literature collected in the rural South in the 1920s and the person who helped put words to paper.–Susan Hepler, Burgundy Farm Country Day School, Alexandria, VA (Reviewed October 1, 2004) (School Library Journal, vol 50, issue 10, p168)

Kirkus Reviews A talking mule, a talking skull, a witch who slips her skin, and a man so powerful that he's not admitted to heaven or hell star in this appealing but flawed companion to What's The Hurry, Fox? and Other Animal Stories (p. 331), illustrated by Bryan Collier. Jenkins's semi-abstract, black-and-white scenes of ghosts and bones add eerie atmosphere to the six folktales; Thomas has recast Hurston's original, thick dialect into a modern idiom, while nicely preserving that country flavor: "No, Pa, that mule's done gone to talking, I tell you. I ain't going." But some of the stories are only fragments, and the collection as a whole is jumbled; a boaster named High Walker dies in one tale, but isn't introduced until a later one, and Thomas's introduction has, oddly, been placed at the end. Hurston's work merits a less clumsy introduction to young readers, and Mary Lyon's Raw Head, Bloody Bones (1991) is only one of many similar folktale gatherings with a higher chill factor. (source notes) (Folktales. 8-10)
(Kirkus Reviews, July 14, 2004)



Other related features:

1. Explore Fiction - Children's -> Explore Fiction -> Horror -> Short Stories


Author Web Sites:
1. Voices from the Gap: Zora Neale Hurston : Features a biography of the author, a selected bibliography, works about the author, and related links.


Other Contributors:
Thomas, Joyce Carol; Jenkins, Leonard: ill

ISBNs Associated with this Title:
0060006315
006000634X


Credits:
• Novelist/EBSCO Publishing
• Baker & Taylor
• Booklist, published by the American Library Association
• School Library Journal, A Reed Elsevier Business Information Publication
• Copyright 2005, VNU Business Media, Inc. All Rights Reserved
• Added to NoveList: 20041220
• TID: 130738

Their eyes were watching God
Zora Neale Hurston ; with a foreword by Edwidge Danticat

Author: Hurston, Zora Neale

Meet the unforgettable Janie Crawford, an articulate African-American woman in the 1930s. Traces Janie's quest for identity, through three marriages, on a journey to her roots.


New York: HarperCollins, 2000, c1937, xxii, 231 p.

Notes:
Originally published: Philadelphia : J.B. Lippincott Co., 1937


Lexile:
1080

Reviews for this Title:
Kirkus Reviews /* Starred Review */ I loved Jonah's Gourd Vine -- thought some of her short stories very fine -- and feel that this measures up to the promise of the early books. Authentic picture of Negroes, not in relation to white people but to each other. An ageing grandmother marries off her granddaughter almost a child to a middle-aged man for security -- and she leaves him when she finds that her dreams are dying, and goes off with a dapper young Negro, full of his own sense of power and go-getter qualities. He takes her to a mushroom town, buys a lot, puts up a store and makes the town sit up and take notice. His success goes to his head -- their life becomes a mockery of her high hopes. And after his death, she goes off with a youth who brings her happiness and tragedy. A poignant story, told with almost rhythmic beauty.
(Kirkus Reviews, September 1, 1937)



Features about this author or title:

1. Book Discussion Guide - Their Eyes Were Watching God


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1. Annotated Book List - The Roots of Modern African American Fiction

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3. Author Read-Alike - J. California Cooper

4. Author Read-Alike - Toni Morrison

5. Book Discussion Guide - A Gathering of Old Men

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12. Book Discussion Guide - White Teeth


Author Web Sites:
1. Voices from the Gap: Zora Neale Hurston : Features a biography of the author, a selected bibliography, works about the author, and related links.


Other Contributors:
Danticat, Edwidge, 1969-

ISBNs Associated with this Title:
0060199490
0060931418 : Paperback
0072434228 : Paperback
0060916508 : Paperback
0060838671 : Paperback
0252017781 : Hardcover - University Press
0061120065 : Paperback
0940450836 : Hardcover
1559945001 : Cassette - Audio
0694524026 : Cassette - Audio
0060776536 : CD - Audio
0606044019 : DEMCO Turtleback
0833564390 : Glued Binding
1568496257 : Hardcover
0809590190 : Hardcover - Religious
078381884X : Hardcover - Large Print
0812485203 : Glued Binding
0821927361 : Hardcover
0060920998 : Cassette - Audio
0837118859 : Hardcover


Credits:
• Novelist/EBSCO Publishing
• Baker & Taylor
• MetaMetrics, Inc.
• Copyright 2005, VNU Business Media, Inc. All Rights Reserved
• Added to NoveList: 20010101
• TID: 035508